Clare Shore News & Interview

Clare Shore

Clare Shore’s Day Tripping for violin, cello and piano will be performed in Carnegie’s Weill Recital Hall on July 20th, 2019 by Trio Casals to celebrate the upcoming PARMA Recordings’ release of Trio Casals’ new CD MOTO QUARTO. Other composers whose works are represented on the CD features works are David Nisbet Stewart, Emma-Ruth Richards, Joanne D. Carey,  Allyson B. Wells, L Peter Deutsch, Christopher Brakel, Keith Kramer, and Mathew Fuerst.

On July 24, 2019, Shore’s Evocations: Four after Matisse will be performed by Project Fusion Saxophone Quartet on the Bridgehampton Chamber Music Festival.

Zimmermann’s Café Chamber Music will present the premiere of Shore’s Intensities of Degrees for flute (piccolo/alto flute) and piano on October 27, 2019 in Lake Worth Beach, FL, performed by co-commissioning flutists Tammy Evans Yonce, Misty Theisen, and Cathie Apple, with Jennifer Reason, piano.

Shore is the most recent subject of the ongoing project, Nevertheless, She Composed. Currently a social media platform, each NSC interview is being carefully transcribed for a printed anthology. The first edition of Nevertheless, She Composed: A Contemporary Anthology of Women Composers of the Twenty-First Century is scheduled to be published during the spring of 2020. Watch Liz Knox’s interview with Shore below.


Clare Shore, the second woman to earn the Doctor of Musical Arts degree in Composition from The Juilliard School (1984), has received critical acclaim for her works, with reviewers from the New York Times, New York Post, Boston Globe, Washington Post, and others hailing her works as “provocative” … “immensely dramatic” … “unpretentious” … “ingenious and evocative” … “intriguing” … “romantic to the core”. While at Juilliard Ms. Shore studied with David Diamond, Vincent Persichetti, and Roger Sessions, and subsequently with Gunther Schuller. Since then, she has received numerous commissions, awards, and grants, including a 1995 Composer Fellowship from the National Endowment for the Arts.

Shore has taught at Fordham University, Manhattan School of Music, the University of Virginia, George Mason University, and Palm Beach Atlantic College. She currently holds an exclusive publishing contract with ECS Publishing. Other works are found in the catalogs of Arsis Press, Plucked String Editions, and Seesaw Music. Her works are recorded on CRS, Owl Recordings, and Opus One, produced by Grammy Award-winning Elite Recordings.

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MorningStar began in late 1986 as the dream of Rodney Schrank and Ruth Lewis. Both Rod and Ruth had worked in the music department at Concordia Publishing House for a number of years, which gave them the publishing expertise needed to establish a new company. From the beginning, MorningStar has functioned as a non-denominational publishing house focusing on music used in churches whose worship focuses mainly within the liturgical tradition.

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